III CERTAMEN DE TEATRO INFANTIL Villamuriel de Cerrato.octubre 9, 2015
Todas las obras presentadas deberán ser de género musical o dirigidas a público infantil, no admitiéndose de otros géneros. Las representaciones tendrán lugar en el Auditorio de la Casa de Cultura Jesús Meneses, de Villamuriel de Cerrato, los domingos señalados a las 18:00 horas. Todas las representaciones serán en castellano, con una duración mínima de treinta minutos y máxima de hora y media, en el caso del género musical podrán extenderse hasta las dos horas.
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Certamen en Chinchón.octubre 8, 2015
Podrán presentarse todos los grupos de teatro no profesional y legalmente constituidos. El plazo de inscripción estará abierto del 1 de octubre de 2015 al 18 de diciembre de 2015. El Certamen se desarrollará en fines de semana (sábados y domingos) entre los días 13 de febrero y 6 de marzo de 2016 en el teatro "Lope de Vega", siendo la clausura y entrega de premios el 12 de marzo de 2016. La Comisión Organizadora presidida por el Concejal de Cultura del Excmo. Ayto. De Chinchón y formada por los miembros que él designe, seleccionarán un total de OCHO obras que serán las que concursen en el Certamen. Artículos relacionados
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10th edition of the festival CALE-se, Internationaloctubre 5, 2015
Cale Estúdio Teatro – Associação Cultural de Actores, in association with the City Council of Vila Nova de Gaia and the local Parish of Canidelo, is promoting the 10th edition of the festival CALE-se, International Theatre Festival, the only international theatre contest competition nationwide. The 2016 Edition, which occurs during the 30th birthday of Cale Estúdio Teatro, will take place every Saturday, between January 16th and March 19th. To promote and support the qualitative development of Amateur Theatre, rewarding the merit of individual and collective performances as well as the permute of experiences, extra effort of associative solidarity and the publicity of non-professional theatre, are some of the purposes of this project, emphasizing the ongoing importance of Amateur Theatre in today's Society. It is also the Organizational Committee's objective to promote the divulgation and exchange with fellow non-professional companies of other countries within the European Union and Portuguesespeaking countries. Artículos relacionados
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TEATRASGO VUELVE CON EL "TERROR" DE BERTOLT BRECHToctubre 5, 2015
Teatrasgo empieza su nueva temporada con el "Terror y Miserias" de Bertolt Brecht. Si aún no has visto el montaje, no te pierdas este recorrido por la Historia reciente más sombría. Hay situaciones de injusticia, miedo, represión… Pero también de amor, solidaridad y hasta risa. El viernes, 9 de octubre de 2015, a las 19:00 horas, en el Centro Cultural Puerta de Toledo. Gran Vía de San Francisco, 2. Madrid. Entrada gratuita. Artículos relacionados
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Yes Theatre History: believes that theatre and drama can positively influence the children and youth to create a change in their society. Therefore, it works to inspire Palestinian children and youth in general and those in Hebron in particular to try out and to develop creative and constructive reactions to the challenges in their daily lives.
Yes Theatre works in the field of youth theatre and drama education in the Palestinian Territory. The founding members of YT have 18 years of experience of implementing drama and theatre projects and programs with youth inside and outside schools, in cooperation with the Palestinian Ministry of Education, UNRWA and with other original bodies in Hebron. At that time, YT was, and is still, the only organization working exclusively for children and young people using theatre and drama as tools of expression, relief, social change and development. it is worth mentioning that YT has access to school permitted by the Ministry of Education.
The program objective is to contribute to the empowering of Palestinian women and raising their awareness about their rights and how to proclaim them through the medium of a mobile puppet theatre based on social entrepreneurship approach.
This theatre is a social enterprise, that will be run by three females and 1 male who graduated from yes theatre drama program. they will be subject to capacity building in regards to research and collecting stories, narration, turning them into puppet performance to be then presented for groups of 100 audience consists of men, women and kids, from different areas. it is a social enterprise that challenges mobility restriction, and it serves puppet performances that are based on narration of women from diversified marginalized areas. The theme of performances will reflect success stories to inspire women; convey messages and stories that raise the awareness of women about their rights and the importance of proclaiming them. On the other hand, it will create social capital by finding a sphere of harmony among diversified indigenous folks' peculiarities of their heterogeneous entourages by making a general understanding and strengthening bonds among them.
this program is going firstly to advocate against customary laws against women, in formal and informal levels that prevent women from having equal opportunities, beside limiting their choices and their abilities to be decision makers, thus it will raise awareness of women about their rights and the importance of proclaiming them, since they are the most important category to start with. The second issue is the economic situation, since this enterprise will generate income it is going to create job opportunities for four youth (3 females, 1 male); thus it will serve as a model to inspire unemployed people to use their potentials by creating their own enterprises that not only generates income but also provide a social value. Lastly, living in an environment that is subject to mobility restriction due to occupation will create not only regional division but socially separated indigenous who don't have neither physical nor social attachment, thus a mobile theatre that moves from one region to the other will break separation and contribute to the creation of harmonized sphere based on diversified folk's narration.









